Friday, November 11, 2011

Crappy Phone Cams - The Nokia E52

3.2 MP phone cameras are not at all what I would consider as a serious tool but kids and work has been putting a damper on doing any real shooting lately so I started seeing what I could do with this phone cam in its last few weeks before being retired...

All the effects have been the result of using Silver FEx Pro to get a very "noir" result to cover up the crappy IQ of this phone


Singapore MRT; morning trip on the North East line - really impressed with how this one turned out



Self portrait off a mirror at the back of a cubicle in a 5-star hotel; liked the effect of the single down light



Singapore's Orchard Rd; sunlight through the regular mosquito fogging haze



Old guy on a rather old bus



More MRT; actually taken in an attempt to capture a strange trend in Singapore of wearing ridiculous false eye lashes during the day



Ok, can't help myself...



Actually liked the pattern in the pavers; walking into IRS Revenue House



Dressed up in Orchard Road



Headless mannequin at Vivo City



Local bus; really liked her tattoos



Not a lot to do on the MRT ride home...



My boy sleeping in the supermarket...


Saturday, August 06, 2011

Shooting a Wedding Ad Hoc...

I will preface this story with "I don't shoot weddings at all; no interest, nothing" - actually the idea of herding cats seems more appealing. People seem to have inflated expectations around wedding photography and I don't like that sort of boxed in shooting style at all.

My younger sister got married a couple of years back and my father had asked if I would be the photographer - my answer was very resounding "no". I would take photos for her from an ad hoc documentary style but in no way would accept the role of the primary photographer. People expect to see certain shots in amongst those contact sheets and its highly likely you wouldn't find them in my work. So at least I'm considerate enough of "your" big day to not attempt to ruin it...




But then again, life isn't always so simple. A couple of weeks ago I went back to Indonesia with my wife and two young kids for her brother's wedding. As always, I'm never one to miss a photographic opportunity so I did bring some hardware. Once there, it turned out that no one had engaged a professional photographer for the event and there was a growing expectation that I would fill that gap. Hmmm... I didn't really have the right equipment nor film type nor even enough film, and furthermore, the first time I got to see the venue, it was show time.


I ran around making a taking a few light readings and found that where the ceremony was to be held I could only achieve 1/30th sec at f/1.4 with my 35mm Leica Summilux using the new Kodak Portra 400 i had, and that was only if they turned things around so that the couple faced a window providing some shaded light.


Some of the initial work was pretty easy. It was either outside or in some nice shaded lighting. Good to get some people shots and capture the intricate design of the bride's dress and henna work on her hands.


Even though I'm supposed to be shooting this wedding, I cant help myself to grab some, pretty much unrelated but interesting people shots along the way. This girl kept following me around yet would run away whenever I looked at her. Eventually I grabbed a shot of her.




The above three shots are from the ceremony; that one with the bad lighting. Everything here is only from natural subdued light coming in from a window behind me covered with a day curtain. Furthermore, the space was extremely limited and crowded. So crowded in fact that I could only shoot from this one position and was not even able to access my bag that was some 2 mtrs away. That caused a little issue as I only had the roll of film in the camera on me. I did manage to get someone to open the bag and had me a second body already loaded with film. For me, the results of the ceremony were good for the conditions I was shooting under - manual focus, very low DoF, poor lighting and stuck in one position - but very pedestrian for what I would have like to achieve. Oh well, that's life!



So I assume by now people have worked out that this was a Muslim wedding. On aspect of a Muslim wedding proceeding the ceremony is a behaviour called Sungkeman. This is where the newly married couple move from family member to family member hugging, thanking them for everything they have provided in their life and apologising for the difficult times. Overall, Sungkeman tends to be a very emotional activity.


Well, as with most weddings, people wanted some nicely posed images. I thought ok, time to break out the Mamiya 7II and load it with some Fuji 160s I had. The groom seemed to have already decided that he wanted to go to dam (big enough to be a large lake) some hour and a half drive away. It sounded all ok execpt first, it involved "everyone" coming along, I had never been to this location previously and as the wedding was late morning, people though that we should go and shoot this early afternoon while the light was good (burn your eyes out bright, good). It took a little convincing but I managed to get agreement that around 3.30 to 4.00 would be a better time to arrive there, as I had noticed the quality of the light and time of day a few days earlier when I flew in.

All set I thought... as we arrived at the dam, I immediately saw problems number #2 and #3. This dam was huge and we were on the eastern side with the sun behind us - that wasn't going to work - and secondly, this was a family gathering area; hundreds of people picnicking, playing, flying kites, swimming - everything one wants in the background of their wedding portraits.


Finally, the bride's father suggested we all go to their family villa about 30 minutes drive away. So off we go but by now Im getting concerned because as much as the light is now getting good, it won't be long before its disappearing fast. Finally we got to the family villa and set about making some formal portrait shots.


Not a perfect location but great light and with the use of a single reflector I managed to get some nice shots over 2 rolls of film (just 20 shots). Nice but not overly creative as weddings and making people pose is not my thing. However, given where the day was heading I feel it turned out ok.


Once I had the film developed and was beginning to scan the images, my wife asked "so how are you going to give these photos to my brother?" This got me thinking about the need to produce some kind of wedding album; not something I've done before. I  had used "PhotobookWorldwide" previously to produce some of my personal work and had been reasonably impressed by their quality so I chose them again.


What I hadn't given much thought to was the time and effort required to convert straight images into an "album". It was a lot of work with planning layouts, designing and executing. The image above is one example of an 11" x 15" two page spread created for the album around the Sungkeman activities. Something I was happy with in the end given the lack of planning, time and proper equipment, etc. However, the production part has just reconfirmed my lack of interest in wedding photography.


Album Cover Shot (cropped from the third image above)

Im glad I could get this done for my brother-in-law but would certainly hesitate and doing it again. Im also sure that it must have been one of the most economical wedding shoots ever as it finally ended up being 26 pages completed on 3 rolls of 135-36 Portra 400 and 2 rolls of Fuji 160S at 6x7. Then again, you just have to use what you have...




Saturday, January 15, 2011

Macau 澳門

Macau, along with Hong Kong, one of the two special administrative regions of China. It lies on the western side of the Pearl River Delta, bordering Guangdong province to the north and facing the South China Sea to the east and south. Macau was a Portuguese colony and both the first and last European colony in China. Portuguese traders first settled in Macau in the 16th century and subsequently administered the region until the handover on 20 December 1999.


Looking back to Macau Island from Taipa (Canon G9, 12 shots stitched)

Sal Van Bridge on the left, Macau-Taipa Bridge on the right, and the Friendship Bridge faintly visible beyond that. Its about 2.2 kilometers from Taipa to Macau, although the Friendship Bridge is actually 4.4 kilometers long.

I'll begin by stating for the record, "I find Macau to be a butt ugly city". It has become a gambling mecca with more than 30 casinos on just under 50 square kilometers (broken down as 29.5 Macau; 6.8 Taipa; 7.6 Coloane; Cotai 5.8) and this has led to the construction of bigger and bigger and more glitzy establishments at the expense of local culture and history.


Above is Sands Casino, although its pretty reminiscent of all the larger casinos. Row after row of black jack, roulette, big & small and baccarat tables. As a caveat, I spent 10 years of my life working in casinos on the gaming floor so I come to this with an existing bad taste in my mouth. I've seen what it does to people and the Chinese seemed to be inflicted with a gambling gene which just exacerbates the problems.



So thats my small rant... I actually end up in Macau reasonably frequently - maybe once or twice a year. Work has its regional sales conference there and my sister lives there. This year (2010) back in October it was 3 days held up at the Venetian and I loathed the place from the second I stepped foot into it, which is more of an insight into me than the place itself. Its majestic, massive, pretentious and full of gamblers. I think it must have taken me all of 20 minutes to check-in, drop off my luggage and hit the streets with the camera.



From Singapore, I'd rather fly direct but its only the budget carriers that ply that route and they're notorious for canceling flights. So its usually fly into Hong Kong and take the ferry for one hour down to Macau. The ferry trip is fine but it just tends to add an additional 3 hours to any direct flight.




Residential areas tend to be masses of high density housing, much of which has seen better days. These are riddled with narrow lane ways that are often bustling with life. However, like many of their Hong Kong brethren, people here are not necessarily happy to see cameras around.



Although I've never been inside a local apartment in Macau, from the external appearance I would hazard a guess that they would be very similar to small and aging apartments that exist in many areas of Hong Kong.

Macau bases itself on tourism these days, and the primary attraction is gambling. However, when people do venture out, many head to an up market area called San Malo. this area has wide paved walking areas void of traffic with many of the shops you would find in any high street - Giordano, Body Shop, Starbucks.



Personally, Im a people photographer - call it street, documentary, travel or what ever works for you - but as such I find it almost impossible to take a straight shot of an environment without the dominant subject being people. Its the human side of Asia that fascinates me.

Continuing to wander around in the San Malo area will eventually lead to the Ruins of St Pauls. I can understand why they are a tourist attraction but is nothing more than the front facade of a once church. The first time I was ever here was back in 1979 when my Dad took me to Hong Kong for a holiday. Macau was a day trip and the only aspect I even remember is visiting the gambling halls of the original Lisboa casino during the afternoon and being amazed at its size; and a vague recollection of these ruins.


The above shot was the first time I came to San Malo with my sister. But I still  had no desire to really photograph the ruins for their own sake. Looking for something to anchor the foreground, the gardeners, largely ignored but everyone else, seemed more important to my vision on the day. On a more recent trip to Macau, I was looking to shoot a more moody version of the ruins but struggled to find any vantage point that impressed me. This was the best I came up with...


As I was standing around just watching the crowd, I was amused - as I so often am - by the way many other photograph these days, especially when it comes to using mobile phone cameras. It almost feels as if people take photos these days as a proof point to say "see, I was there!". [edit] ...funny, I only just realised weeks later that this girl is actually photographing herself and not the ruins...



This is all on Macau, the other two islands of Taipa and Coloane are very different - apart from the ubiquitous casinos. Taipa is very quiet, small and predominantly residential. Below is a view from my niece's bedroom widow of the densely populated high-rise that are common in Taipa.



Taipa is some 2.4 kilometers across from Macau across, what is called, the Bay of Pak On. Of the three connecting bridges, you can only walk on the middle one - Macau-Taipa Bridge. My wife and I lost all sanity on one visit and actually walked across. It was the middle of winter, cold and foggy which made visiting Starbucks on the far side all the more enjoyable...




Further south of Taipa is Coloane which is is now connected by land-fill called the Cotai Strip. The most prominent landmark in the Cotai Strip is the Venetian Hotel/Casino. I ended up staying here back in October for the corporate regional sales conference. Hated the layout ...they force you to walk long distances through the casino itself to get from point to point. Almost a 15 minute walk from check-in to my room.




But I must admit that the Venetian shopping malls with their replciated venice canals and painted vanilla skies are impressive. It always feels like you are there outside at dusk.



Coloane is rather different with useable beach and mountainous terrain. I've been to the beaches in both summer and winter and although the number of people is dramatically different, there are always people swimming - and winter is cold. Below, a local fishing off a beach in Coloane...




To other noteable places on Coloane are Tian Hou Palace and the statue of A-Ma on Mountain Dep Sek Tong. The statue is part of a story that represents the past history of Macau as a fishing village, heavily dependent on the sea. In front of this statue is an inscription that I photographed with my phone and later transcribed...




A-Ma patroness of seamen, fishermen and merchants is a Taoist goddess. A-Ma, literally meaning "mother" in Chinese, is also known as Tin Hou (Empress of Heaven), Ma-Chau and Neong Ma. Her name is similar to that of Macao.

A-MA was born to the Lin fishing family in Fujian province in the year AD 980. she was a gentle beautiful maiden who demonstrated admirable virtues and sacred powers from childhood. She dedicated her life to guiding the voyages of sailors and merchants, even rescuing them from stormy waters. She has been worshipped for centuries and even nowadays, her kind deeds are remembered in the provinces of Fujian and Guangdong.

Legend relates that A-Ma also protected fishermen and merchants who sailed to Macau. In gratitude for her protection from the perils of the sea, a temple was erected n her honour on Barra Hill and she was worshipped here long before the Portuguese arrived. When the Portuguese settled here, they called the land "Macau" meaning "The port of A-Ma"

Besides historical and mythical reasons, belief in A-Ma plays a very important role during Chinese New Year. Crowds of followers flock to the temple to thank A-Ma for her protection and to pray for a peaceful life. The charisma of this goddess has bolstered the confidence of those living here to introduce developments in this united community. Macau has thus served as a safe shelter for people living here since it opened as a port.

This crucial time, as Macau reverts to Chinese sovereignty is most opportune for erecting the world's highest statue of A-Ma on the summit of Coloane's highest mountain.

The statue weighs a thousand tons and stands 19.99 metres high. It is fashioned from white jade from Fangshang in Beijing. One hundred and twenty sculptors worked for eight months to produce it.

Cultural Institute of Macau, 28th of October 1998


Across Asia I tend to get a little "templed out". They can become a bit like 7-11s, meaning there seems to be a temple of some kind on every street corner. The result is that I tend not to shoot temples so much for their architecture. Below is one of the few shots I took at Tian Hou Palace. This intricate art work is on the steps leading to its entrance...




The last time I visited, which was for work, I had allowed myself an afternoon to shoot. I used Kodak Ektar 100 and was looking for a less common view of Macau. As a C41 colour film, Ektar is fantastic (and a real bitch). As a digression, the first time I used it was back in April 2010 while in Tokyo, while testing a newly acquired Voigtlander 50mm f/1.1 Nokton. As I typically do with C41 films, I rated it at half speed - ISO 50 - well I found out the with a full stop of over exposure the colour shift and cross-over is so bad that its almost impossible to correct even in post processing. This time I shot it at box speed but even then colour correction becomes a real art, although easier. 



A search of images on Flickr with the tags of "macau" and "macao" provided no more than the typical tourist shots - nothing remotely impressive as an area to investigate. So I went to my next option - Google maps! Google maps can be very revealing in satellite view in identifying place of interest to shoot. From the above image I could see ships - and docks are always interesting places - that appeared potentially accessible on the west side of Macau on the narrow water way between Macau and mainland China. Below are are few shots from getting myself onto the docks and being generally nosey...











As the day started closing I began to wander back into the city centre area happening across some more interesting opportunities along the way. This was some guy putting final touches on a Chinese casket - something both interesting and different.




This post has become long enough, but needless to say when going to new places to shoot Google Maps can be a great help... But as one final image, as the daylight was closing on using a 100 speed film, I managed to achieve, what I would consider, one of my best shots of the 2010 - Leica 35 Asph Summilux v1 at f/1.4. Best for me in terms of composition, content, simplicity, colour and depth of field, but as I mentioned earlier, colour correction on Ektar can be tough work and this one was no exception...